But then, that was the trouble with relationships generally. They had their own temperature and there was no thermostat.

I would like my personal reading map to resemble a map of the British Empire circa 1900.

I see now that dismissing YA books because you're not a young adult is a little bit like refusing to watch thrillers on the grounds that you're not a policeman or a dangerous criminal, and as a consequence, I've discovered a previously ignored room at the back of the bookstore that's filled with masterpieces I've never heard of.

I used to think--and given the way we ended up, maybe I still do--that all relationships need the kind of violent shove that a crush brings, just to get you started and to push you over the humps. And then, when the energy from that shove has gone and you come to something approaching a halt, you have to look around and see what you've got. It could be something completely different, it could be something roughly the same, but gentler and calmer, or it could be nothing at all.

I had forgotten that Jess felt about long words the way that racists feel about black people: She hated them, and wanted to send them back from where they came from.

I've seen men like you in Doris Day films, but I never thought they existed in real life...The men who can't commit, who can't say 'I love you' even when they want to, who start to cough and sputter and change the subject. But here you are. A living, breathing specimen. Incredible.

So this is supposed to be about the how, and when, and why, and what of reading -- about the way that, when reading is going well, one book leads to another and to another, a paper trail of theme and meaning; and how, when it's going badly, when books don't stick or take, when your mood and the mood of the book are fighting like cats, you'd rather do anything but attempt the next paragraph, or reread the last one for the tenth time.