The more you're able to understand how to do a good dramatic performance, that can inform your comedy. It all informs one another. And it keeps everything interesting.

I like the idea of people getting to know you from different angles and then realizing "That guy is also that guy!" "Oh, he does that!" I really like having a number of different ways to reach people.

There's nothing better for hosting a show than a bunch of people daytime-whiskey drunk.

Don't watch Kroll Show if you don't have a Nielsen box. I honestly don't care. Feel free to DVR it and not watch it because that will somehow help my ratings maybe, but honestly I'm talking to the four of you with a Nielsen box. If you have a Nielsen box, like, who are you? Where do you live? How do I find you? You're a unicorn and I don't believe that you exist.

I think my goal was just to do comedy, honestly. It still is. Whatever form that took or takes, it doesn't matter.

Mel Brooks came to see Oh, Hello in L.A. Mulaney and I had a meeting with him, and we invited him to come to the show, and he saw the Oh, Hello show live in L.A. To me, he's the most famous person. Having him come to our show that was so inspired by both of us loving The Producers and all his movies.

You get to have some bigger comedic moments with some very real dramatic stuff. All that in one makes for a fulfilling artistic job.