I think my goal was just to do comedy, honestly. It still is. Whatever form that took or takes, it doesn't matter.

I've decided to just keep doing Oh, Hello, where I play an older man who thinks he's very cultured. That clearly has not gone away.

I had PubLIZity, I had Oh, Hello, I had Bobby and Farley - all of these sketches that were really these duo sketches, but the relationship between them is really what catapulted them forward. A lot of that, I think, came from Wayne and Garth, these two similar guys - they're Midwestern metal guys - but in the end, they're quite different because there's an alpha and a beta. And I think that model became very present for me on Kroll Show.

Really, more than anything, The 2000 Year Old Man is a huge influence on all of our comedy, but specifically the live version of Oh, Hello.

It's a real democratic time for comedy, and I think my special is a sign for that. You don't have to just be a classic stand-up to get a special, or you don't just have to be on Saturday Night Live to do characters and sketch on TV. The web has allowed me to show that there are different ways to make people laugh, and the special is a combination of those things.

I think Trump thinks of himself as pretty important, and now rightfully so - because he's the President of the United States. You gotta dream big, and we're all so proud of what the Donald has been able to accomplish... following through on his dreams of taking fast food dumps on a plane.

I like to think that the stuff I do is oftentimes collaborative, so to have other people in it felt natural.