I had PubLIZity, I had Oh, Hello, I had Bobby and Farley - all of these sketches that were really these duo sketches, but the relationship between them is really what catapulted them forward. A lot of that, I think, came from Wayne and Garth, these two similar guys - they're Midwestern metal guys - but in the end, they're quite different because there's an alpha and a beta. And I think that model became very present for me on Kroll Show.

I was going to have Brian La Croix do a cameo on Degrassi. But, unfortunately, the scheduling didn't work out. When I was in Toronto, they weren't shooting. To me, that would've been a pretty crazy meta experience.

I think my goal was just to do comedy, honestly. It still is. Whatever form that took or takes, it doesn't matter.

Whether it's corporate investigations or comedy, there are certain inherent truths to trying to get what you want while trying to be a decent person doing it.

Robert Altman made that movie Kansas City about the jazz scene in the city, and we saw that band all together, and that was an amazing show. That's what I got into. I like jazz.

For me, I was literally trying to stay afloat. I never actually thought I would get my own sketch show. So the idea that one day I would have my own show is pretty wild. But once I got it, I thought, 'Yeah, this is exactly what I always wanted to do.

It's the independent movies. Most of these people never even got a wrap party on their movie.