Really, more than anything, The 2000 Year Old Man is a huge influence on all of our comedy, but specifically the live version of Oh, Hello.

The one place I've seen something really come together is in editing. Sometimes you can save pieces in a way that you're really shocked.

My goal was to do something that incorporated all the stuff I do and have it feel like something new, like it was hopefully taking the stand-up special paradigm and turning it on its head.

It's always weird to eat something that is a pet elsewhere.

It's almost worse because you think that you're mature and classic when you're in the newsie cap jazz phase. It's not a great look, a young person trying to seem old and mature and cultured. That's a summarily not-cool look.

The thing that's the biggest bummer about any live show is a hot, sober room. So if it's during the day and people are a little buzzed, great.

I was going to have Brian La Croix do a cameo on Degrassi. But, unfortunately, the scheduling didn't work out. When I was in Toronto, they weren't shooting. To me, that would've been a pretty crazy meta experience.