The key, I would say to any fledgling humorist starting out, is to make sure that sloppiness is part of your recipe. That way they come to expect fumbling and clumsiness and they say, "Oh, it must be a charming part of his personality."

Doing voice work is more like recording music that people are going to listen to. You're creating an oral experience using whatever bells and whistles you have in your voice, and you can shut your eyes and use your imagination and nobody's going to see if the faces you make don't match the voices you make. That's a lot of fun.

I also grew up building theatrical scenery. I spent many years building scenery as a large part of my income and that allowed me to really develop my shop skills.

If properly dried and trimmed, New York-style pizza could be used to make a box for Chicago-style pizza.

I learned the word non-conformist in fourth grade and immediately announced that I would grow up to become one.

Your dreams are always going to seem much more profound to you then they are to your friend.

It's funny, growing up there was never anybody around me with any kind of artistic bent.