I just try to keep it fresh. I try to keep it interesting. The truth is my roots are independently spirited dramas that are small, and I will always go back to that well, because that's where I broke out of. But I'm going to keep doing as many different movies as I possibly can.

I would like to hook up with one of the great Japanese filmmakers, like the master that made Ringu, and I would like to take 'The Wicker Man' to Japan, except this time he's a ghost.

I like being at that place where you can either fall or stand. That's where I think you really have a shot at doing something truthful.

I came out of independent film, that's my roots. I used my independent film as a laboratory, and used what I could discover in that laboratory.

Shock is still fun. I won't ever shut the door on it.

I invite the entire spectrum, shall we call it, of feeling. Because that is my greatest resource as a film actor. I need to be able to feel everything, which is why I refuse to go on any kind of medication. Not that I need to! But my point is, I wouldn't even explore that, because it would get in the way of my instrument.

Mike Myers as Austin Powers makes me laugh - that was genius - and Daffy Duck makes me laugh, but I like odd behavior. I don't like hip dialogue and one-liners and all that sort of cool, sophomoric comedy. It's just not for me.