I believe there is a moment growing up when you build your own mood board. You do a collage - you collect a few things, a few images that will be so important for your future choices. Not only aesthetic, or what you like for dressing, but your artistic choices. The room where I put papers and pictures and posters on the walls when I was a kid, it's still very strong in my head today. This movie poster or that portrait of a girl I took from a magazine, deep inside, is inspiration that comes back all the time.

You never do things thinking you will make a big statement. It just happens sometimes and you are lucky.

I'd rather work with someone who likes what I do than create something for the red carpet that won't make me happy.

It's quite strange in fashion, and it's probably the same with movies and acting - the big choice is between being radical, making a choice that will be more specific that will reach less people but will be very strong and very directional, and making a choice that will be more popular and catch the interest of a large group of people. Sometimes people are trying to push you in one direction or another.

I'm always curious. Every day. As we get on in life, we must be grateful.

To look deeply into the lawn and see six shades of green - there is hardly that respite for you. And that's our job that we're doing. And it's even more demanding for someone like yourself, who is so extremely creative. But you have to move forward. You cannot just wallow or sit back and take in the accolades. They're wonderful, the accolades, and you appreciate them. But then you go on to the next moment. You have to always be going out to the end of the diving board and diving off.

Today, kids are much more aware of what fashion means, but when I was growing up, it was popular, but not as popular as today. Like any kid, I was fascinated by drawing. But when some of the kids let go, I kept drawing and drawing.