To look deeply into the lawn and see six shades of green - there is hardly that respite for you. And that's our job that we're doing. And it's even more demanding for someone like yourself, who is so extremely creative. But you have to move forward. You cannot just wallow or sit back and take in the accolades. They're wonderful, the accolades, and you appreciate them. But then you go on to the next moment. You have to always be going out to the end of the diving board and diving off.

That's what I think when people do their "best stuff" collection. When you start to think, "Oh, I will just present my 10 years of work," that's not a good sign.

With my designs and my ideas, I want to please myself first. I'm always very stressed about making a new proposition every season. But in a way, it's a kind of addiction. In another way, it's a crazy pressure. I try to stay quiet about the whole situation, because fashion itself can be crazy, and everyone wants a part of you.

I think creating the clothes is about creating historical images - and that's about more than fashion. It is about the fashion, the photography, what you are doing in the moment. It's what we call in French rechercher, or the search for that thing. So even though fashion is not scientific, I think being a designer is somewhat like being a scientist.

I like the idea of women and men in movement. My fashion is not about being still. It's almost sporty, sometimes. I like the evolution of sports clothes. I think they are very interesting in the cut, in the fabrics.

More than anything, I'm designing for a woman of today. I want to be a witness of my time.

I put pressure on myself to propose something new - I think it's the minimum that you can do as a fashion designer.