For me, I go somewhere for three days, and then I come back and I want to change everything, and so it's a fight with everybody. I'm transforming and convincing. It's more than designing. It's shaking people and trying to give them direction. I'm a bit of a control freak. This is a problem as I get older, and it's something I should work on. I should be more confident - learn to trust people and give them freedom and delegate.

More than anything, I'm designing for a woman of today. I want to be a witness of my time.

It's quite strange in fashion, and it's probably the same with movies and acting - the big choice is between being radical, making a choice that will be more specific that will reach less people but will be very strong and very directional, and making a choice that will be more popular and catch the interest of a large group of people. Sometimes people are trying to push you in one direction or another.

I think Rihanna is very interesting. But those people, the singers especially, know how to handle themselves because they're in the limelight. That's why it has grown into something where the model has stepped back - and I don't know if it's coming forward again.

There is something I think we share, which is, of course, an appreciation for Helmut Lang. I think at a certain point he really changed so many things in fashion. I'm a bit younger than Helmut, but from my point of view he provided a true entrance into this new way of thinking - not being invaded into couture.

Fashion is a playground up until a certain age. But then you have to find your own signature and your own style.

It is the job of the editors to find somebody. I'm sorry, but you have to get out there and find them.