I do love science-fiction and horror movies.

In French we have this word déclic. It's when you have, suddenly, a light shining and you say, "This is what I want to do."

With my designs and my ideas, I want to please myself first. I'm always very stressed about making a new proposition every season. But in a way, it's a kind of addiction. In another way, it's a crazy pressure. I try to stay quiet about the whole situation, because fashion itself can be crazy, and everyone wants a part of you.

To look deeply into the lawn and see six shades of green - there is hardly that respite for you. And that's our job that we're doing. And it's even more demanding for someone like yourself, who is so extremely creative. But you have to move forward. You cannot just wallow or sit back and take in the accolades. They're wonderful, the accolades, and you appreciate them. But then you go on to the next moment. You have to always be going out to the end of the diving board and diving off.

Strangely, meanness pays more than offering constructive and interesting commentary. Every season I think, "This is the last season. I'm not gonna read tomorrow morning. Forget it." The first thing when I wake up - quite late, usually - I am craving the newspaper.

I have a quality where I sort of scare people. But I am who I am.

Why is it that when I did a weird dress in the past, people were like, 'Oh, it's niche,' and why when I do a pair of jeans that are super cool, it's much more accessible, but I enjoy doing it? I enjoy the mix of those two things. I realized that quite late, actually. I'm going to really try to express those two things at the same time, because this is me.