I do love science-fiction and horror movies.

I love what I do and I adore this whole world. I'm able to meet fantastic people. I meet fantastic writers, I meet architects, I meet incredible talent. Fashion is really a world, besides the creation, that I think is super interesting, super inspiring.

It is the job of the editors to find somebody. I'm sorry, but you have to get out there and find them.

More than anything, I'm designing for a woman of today. I want to be a witness of my time.

If I were to find something that is going to be more important to me than fashion - that would be work and love - then I probably would let go. That's a possibility. But fashion is an addiction.

I can say, let's go to the DNA of the brand and find something that I can introduce into my work. It's part of the patrimony of fashion.

I don't feel French at all. That was never really a concern, and it's limiting to think that way. I think Paris is more of a playground for international designers, so I don't really feel French. And I don't really want to feel French.