To touch and feel each thing in the world, to know it by sight and by name, and then to know it with your eyes closed so that when something is gone, it can be recognized by the shape of its absence. So that you can continue to possess the lost, because absence is the only constant thing. Because you can get free of everything except the space where things have been.

I think of novels as houses. You live in them over the course of a long period, both as a reader and as a writer.

I feel really strongly about not wanting to overly guide the reader about what he or she should think. I really trust the reader to know for themselves and not to need too much. You have your own imagination, your own experiences, your own feelings, and a novel wants ultimately to ask questions. It doesn't assert anything, or shouldn't, I think.

That he liked to think of himself as a philosopher. That he questioned all things, even the most simple, to the extent that when someone passing him on the street raised his hat and said, 'Good day,' Litvinoff often paused so long to weigh evidence that by the time he'd settled on an answer the person had gone on his way, leaving him standing alone.

I wished to punish her for her intolerable stoicism, which made it impossible for me to ever be truly needed by her in the most profound ways a person can need another, a need that often goes by the name of love.

There's no match for the silence of GOD.

Sometimes no length of string is long enough to say the thing that needs to be said. In such cases all the string can do, in whatever its form, is conduct a person's silence.