I used to think that if I had a choice between writing well and living well, I would choose the former. But now I think that's sheer lunacy. Writing weighs so much less, in the great cosmic equation, than living.

Tell me, was I the sort of person who took your elbow when cars passed on the street, touched your cheek while you talked, combed your wet hair, stopped by the side of the road in the country to point out certain constellations, standing behind you so that you had the advantage of leaning and looking up?

We met each other when we were young, before we knew enough about disappointment, and once we did we found we reminded each other of it.

THE DEATH OF LEOPOLD GURSKY Leopold Gursky started dying on August 18, 1920. He died learning to walk. He died standing at the blackboard. And once, also, carrying a heavy tray. He died practicing a new way to sign his name. Opening a window. Washing his genitals in the bath. He died alone, because he was too embarrassed to phone anyone. Or he died thinking about Alma. Or when he chose not to.

The more freedom I allow myself as a writer to wander, become lost and go into uncertain territory - and I am always trying to go to the more awkward place, the more difficult place - the more frightening it is, because I have no plan.

What interests me very much as a writer is the ability for writing to have our lives to be occupied so vividly by others. I think that's what we long for as writers.

I smiled back, the importance of manners, my mother always said, is inversely related to how inclined one is to use them, or, in other words, sometimes politeness is all that stands between oneself and madness.