I used to think that if I had a choice between writing well and living well, I would choose the former. But now I think that's sheer lunacy. Writing weighs so much less, in the great cosmic equation, than living.

The malpractice for advice-giving is like five times as much as a craniotomy.

I try to make a point of being seen. Sometimes when I'm out, I'll buy a juice even when I'm not thirsty. If the store is crowded I'll even go so far as dropping change all over the floor, nickels and dimes skidding in every direction. All I want is not to die on a day I went unseen.

What interests me in writing a novel is taking really remote voices, characters, and stories and beginning to create some kind of web.

To walk into a modern-day bookstore is a little bit like studying a single photograph out of the infinite number of photographs that cold be taken of the world: It offers the reader a frame.

No, I don't harbor any mystical ideas about writing, Your Honor, it's work like any other kind of craft; the power of literature, I've always thought, lies in how willful the act of making it is.

Maybe the first time you saw her you were ten. She was standing in the sun scratching her legs. Or tracing letters in the dirt with a stick. Her hair was being pulled. Or she was pulling someone's hair. And a part of you was drawn to her, and a part of you resisted--wanting to ride off on your bicycle, kick a stone, remain uncomplicated. In the same breath you felt the strength of a man, and a self-pity that made you feel small and hurt. Part of you thought: Please don't look at me. If you don't, I can still turn away. And part of you thought: Look at me.