Before I left for Germany, I had gotten accepted to the performing arts high school in New York, which was a big dream of mine. And having to leave that was very sad for me.

I try not to put my purse on the floor - demons will get into it.

I would feel ill without theater. It's kind of a cliche, but every time you make a mistake, you really do have to learn from it to move on. When you're doing something live, there's no time to dwell. Hopefully you'll laugh it off, but if not, you can always take a day to hate yourself.

I get really into shows, but then I have my brain shut off time.

I think the way that I delivered my request for acting was undeniable, and I think that I was blessed enough to have parents who saw it as something that there was no argument about. For that, I will always be grateful.

Now that I'm on Broadway, it's like NASA engineering with the costumes. I was very grateful for the slightly more high-tech ones in my show, 'Venus in Fur'; our costume designer Anita Yavich is kind of a genius.

I think having pointers and having guidance from mentors is very important, but it never actually embodies what you go through. And if something doesn't feel good, why do you repeat it? If you feel good bemoaning an audition for a week, go for it. But if you feel better bemoaning an audition that didn't go very well for 30 minutes because you believe in the craft and the process, then I suggest you do that. And that's what I suggest to myself. The alternative is way too painful and destructive.