I feel Scottish when with English people, and when I'm with Scottish people, I realise I'm English.

I thought people would think I only wanted to be an actor because my dad was, rather than because I had an innate calling.

I looked into studying psychoanalysis, wrote to the governing body and was about to start the year where they psychoanalyse you, four times a week, before you get to do it yourself. I just thought I'd taken the ventriloquism as far as I could. My act is so deconstructive, and I'd made all the monkey jokes anyone wanted to hear.

I like my squishy, red, high-heeled Vivienne Westwood jelly shoes. They make you seem like you're much more of a go-er.

The way I talk to the puppets is real, and it's in the moment, and it's seeing what will happen. It's not something that is scripted.

I think I've got it pretty easy compared with somebody who works at a desk nine to five. I'm just working for an hour in the evening. I get a bit breathless, as I have to talk non-stop because of the puppets.

Having a puppet is a way of having opposing opinions - I say a thing; he says the other.