The way I talk to the puppets is real, and it's in the moment, and it's seeing what will happen. It's not something that is scripted.

I could never be on stage on my own. But puppets can say things that humans can't say.

Having a puppet is a way of having opposing opinions - I say a thing; he says the other.

I do laugh when I hear myself saying, 'I am a ventriloquist.' I am definitely suited to it, though. I took it and ran with it quite hungrily. It is not for everyone, but it is just the chance to write for a character.

I looked into studying psychoanalysis, wrote to the governing body and was about to start the year where they psychoanalyse you, four times a week, before you get to do it yourself. I just thought I'd taken the ventriloquism as far as I could. My act is so deconstructive, and I'd made all the monkey jokes anyone wanted to hear.

I think I've got it pretty easy compared with somebody who works at a desk nine to five. I'm just working for an hour in the evening. I get a bit breathless, as I have to talk non-stop because of the puppets.

I feel Scottish when with English people, and when I'm with Scottish people, I realise I'm English.