Women are being considered as candidates for vice-president of the United States because it is the worst job in America. It's amazing that men will take it. A job with real power is first lady. I'd be willing to run for that. As far as the men who are running for president are concerned, they aren't even people I would date.

I have always thought it was a terrible shame that the women's movement didn't realise how much easier it was to reach people by making them laugh than by shaking a fist and saying, 'Don't you see how oppressed you are.

New Orleans is one of the two most ingrown, self-obsessed little cities in the United States. (The other is San Francisco.)

There's a reason why forty, fifty, and sixty don't look the way they used to, and it's not because of feminism, or better living through exercise. It's because of hair dye. In the 1950's only 7 percent of American women dyed their hair; today there are parts of Manhattan and Los Angeles where there are no gray-haired women at all.

The divorce has lasted way longer than the marriage, but finally it's over.

Vera said: 'Why do you feel you have to turn everything into a story?' So I told her why: Because if I tell the story, I control the version. Because if I tell the story, I can make you laugh, and I would rather have you laugh at me than feel sorry for me. Because if I tell the story, it doesn't hurt as much. Because if I tell the story, I can get on with it.

Most directors, I discovered, need to be convinced that the screenplay they're going to direct has something to do with them. And this is a tricky thing if you write screenplays where women have parts that are equal to or greater than the male part. And I thought, 'Why am I out there looking for directors?'—because you look at a list of directors, it's all boys. It certainly was when I started as a screenwriter. So I thought, 'I'm just gonna become a director and that'll make it easier.'