Everybody dies. There’s nothing you can do about it. Whether or not you eat six almonds a day. Whether or not you believe in God. (Although there’s no question a belief in God would come in handy. It would be great to think there’s a plan, and that everything happens for a reason. I don’t happen to believe that. And every time one of my friends says to me, “Everything happens for a reason,” I would like to smack her.)
Nora EphronI recognize that printing pictures of corpses raises all sorts of problems about taste and titillation and sensationalism; the fact is, however, that people die. Death happens to be one of life's main events. And it is irresponsible and more than that, inaccurate, for newspapers to fail to show it.
Nora EphronMost directors, I discovered, need to be convinced that the screenplay they're going to direct has something to do with them. And this is a tricky thing if you write screenplays where women have parts that are equal to or greater than the male part. And I thought, 'Why am I out there looking for directors?'—because you look at a list of directors, it's all boys. It certainly was when I started as a screenwriter. So I thought, 'I'm just gonna become a director and that'll make it easier.'
Nora EphronParenting meant that whether or not your children understood you, your obligation was to understand them.
Nora EphronA lot of college graduates approach me about becoming screenwriters. I tell them, 'Do not become a screenwriter, become a journalist,' because journalists go into worlds that are not their own. Kids who go to Hollywood write coming-of-age stories for their first scripts, about what happened to them when they were sixteen. Then they write the summer camp script. At the age of twenty-three they haven't produced anything, and that's the end of the career.
Nora Ephron