I see the artist as a participant, a co-producer of reality.

In many rural areas of the world, local communities use kerosene for indoor lighting, which leads to asthma, poor quality of light, and the desperate cycle of oil-based products that continually degrade the environment.

Light has an evident, functional and aesthetic impact on our lives.

My goal is to formulate a new color theory based on the full spectrum of visible light.

Photographs have a relevance for things that cannot be said.

The viewer brings something individual to the experience of any artwork.

I don't know a single collector or museum director who says: 'Oh, he's on a list, so I think I'll buy something of his.' The people who buy my art put a little more thought into it than that.