My goal is to formulate a new color theory based on the full spectrum of visible light.

I do not think making art alone makes it any better than making it with a team of people.

I myself have already spent a third of my life in Germany, first in Cologne and then, since 1994, in Berlin.

There are 1.3 billion people today who have no access to electricity. Many of them rely on kerosene lanterns for light, but kerosene is both expensive and hazardous to the health.

I don't think you need to be so result-oriented when you're trying to define the success of an art work. I think we can allow some unpredictability.

Light has an evident, functional and aesthetic impact on our lives.

I see the artist as a participant, a co-producer of reality.