My goal is to formulate a new color theory based on the full spectrum of visible light.

I see the artist as a participant, a co-producer of reality.

I myself have already spent a third of my life in Germany, first in Cologne and then, since 1994, in Berlin.

In many rural areas of the world, local communities use kerosene for indoor lighting, which leads to asthma, poor quality of light, and the desperate cycle of oil-based products that continually degrade the environment.

I always try to make work that activates the viewer to be a co-producer of our shared reality.

I was interested in how we engage the world. How do we use our skin as our eyes? If you read a cityscape or a landscape with just your mind, and not your body, it becomes like a picture or representation, not something you really engage with.

The viewer brings something individual to the experience of any artwork.