I always try to make work that activates the viewer to be a co-producer of our shared reality.

By bringing Little Sun to Tate Modern and the London Olympics, I hope to realise an art project for those who typically have no access to global events of this scale.

I see the artist as a participant, a co-producer of reality.

I want to expose and evaluate the fact that the seeing and sensing process is a system that should not be taken for granted as natural - it's a cultivated means of reality production that, as a system, can be negotiated and changed.

The viewer brings something individual to the experience of any artwork.

Photographs have a relevance for things that cannot be said.

In many rural areas of the world, local communities use kerosene for indoor lighting, which leads to asthma, poor quality of light, and the desperate cycle of oil-based products that continually degrade the environment.