I've spent a lot of my early twenties focusing on other people as opposed to myself. Being madly in love with people and putting them first and not necessarily putting myself under a microscope. It's unsettling but I'm trying to be the kind of person that can be alone, at peace with himself. Making most recent album, I felt braver putting stuff into songs than I do bringing them up in conversation. Which makes no logical sense. Lyrically, there was a lot less hiding behind suns and moons and stars.

I've spent a lot of my early twenties focusing on other people as opposed to myself. Being madly in love with people and putting them first and not necessarily putting myself under a microscope. It's unsettling but I'm trying to be the kind of person that can be alone, at peace with himself. Making most recent album, I felt braver putting stuff into songs than I do bringing them up in conversation. Which makes no logical sense. Lyrically, there was a lot less hiding behind suns and moons and stars.

Towards the end of Coexist, we had a couple of short tours where, although we were on the road together, we weren't speaking very much. We were there to do a job, and once the show was done we'd go our separate ways to our hotel rooms. Those were some of my unhappiest moments. Stepping offstage and, within an hour, being in a hotel room alone is the most crazy feeling. I don't know how to really explain it. I felt just lost and confused. It's anticlimactic and you just feel really lonely.

I put things on shuffle a lot, which is probably why I don't have a very good idea of genre.

With Brexit and the U.S. election, it's become clear that a lot of people have been thinking a certain way. Nothing has actually changed yet except the fact that it's been brought to light, which is quite a daunting, scary thing to realize.

I just listen to quite random songs; I don't like really particular artists or bands.

I've got quite a varied iTunes, and I like to raid people's CD collections and take on their music.