I'm always trying to understand who I want to be, what I want, what I dream of. When I was a kid, I was really worried that my parents were going to bring me back to the orphanage. I was scared of tomorrow, scared that I was going to be abandoned again. So I tried to enjoy every minute of my life because maybe tomorrow wasn't going to happen. I think I live the same way today: scared of tomorrow. For someone who is considered a party boy, a guy who just has fun and drinks champagne, I'm really tortured.

Michael Jackson is timeless to me. The fact that he wanted to break the rules, that he was always talking about a new world, a global world - "Black or White," "They Don't Care About Us," "Heal the world. Make it a better place" - with this charisma, that always touched me. I'm obsessed with the fact that he went so political. He became a legend, and today I think he's still the King of Pop.

Sometimes I feel fashion is not open-minded enough. We need to push the old crowd to believe in what I believe, in the new generation. I remember when I started, my campaigns and and how I connected my love for music with fashion were a tiny bit controversial because they were like, 'How can you bring hip-hop or music into a luxury world?' or 'How you can be so connected to digital and use social media in luxury world?' Now it's changed, obviously, for the best, but I still think that we could push a bit more.

I think fashion is fashion: Sometimes you dress people that you don't know, and sometimes you dress people that you actually know.

Being part of what I call the "click" generation - where everything has to be fast and revolutionary and you just want more, and it's about likes and consuming - I want to bring new things to the table. A lot of designers say they're scared or overwhelmed because everything moves so quickly now. I think it would be scarier if it was too slow. I want to go fast.

Kanye West is inspirational. He expresses such a strong vision beyond music, beyond fashion - it's art. He sn't afraid to push boundaries and be provocative.

We can use our art to become political, to become something you want to talk about. We make clothes, but we have the chance to change a generation as well. We have to remember that fashion changed the roles of men and women: When Yves Saint Laurent was putting pants on a woman, he was not only doing that - he was assuming the fact that a woman can wear pants like a man. It's all the codes that I think fashion pushed so much to change the world, and today it's what I'm trying to do in my own way.