Most of the time it's not the Europeans who belittle us. What happens when we look at them is that we belittle ourselves. When we undertake the pilgrimage, it's not just to escape the tyranny at home but also to reach to the depths of our souls. The day arrives when the guilty must return to save those who could not find the courage to leave.

In actuality, we don't look for smiles in pictures of bliss, but rather, for the happiness in life itself. Painters know this, but this is preciously what they cannot depict. That's why they substitute the joy of seeing for the joy of life.

It is not my intention to explain Turkey, its culture and its problems. My literature has a universal concern: I want to bring people and their emotions closer to my readers, not explain Turkish politics.

I think perhaps it is a generational thing. I talk to younger people and they say, Where is this melancholy city you talk about My Istanbul is a sunny place.

There are two kind of men,' said Ka, in a didatic voice. 'The first kind does not fall in love until he's seen how the girls eats a sandwich, how she combs her hair, what sort of nonsense she cares about, why she's angry at her father, and what sort of stories people tell about her. The second type of man -- and I am in this category -- can fall in love with a woman only if he knows next to nothing about her.

The knowledge that she could learn to love a man had always meant more to her than loving him effortlessly, more even than falling in love, and that was why she now felt that she was on the threshold of a new life, a happiness bound to endure for a very long time.

A letter doesn't communicate by words alone. A letter, just like a book, can be read by smelling it, touching it and fondling it. Thereby, intelligent folk will say, 'Go on then, read what the letter tells you!' whereas the dull-witted will say, 'Go on then, read what he's written!