It is not my intention to explain Turkey, its culture and its problems. My literature has a universal concern: I want to bring people and their emotions closer to my readers, not explain Turkish politics.

My decision to view the world through novels, as it were, which is a typically European way of looking at things, became a heavy burden for me. But I took it on consciously, even though it was torture for me.

Ka knew very well that life was a meaningless string of random incidents

Great changes in the direction of peace have often come from people who were no great advocates of peace to begin with.

Ka found it very soothing: for the first time in years, he felt part of a family. In spite of the trials and responsibilities of what was called 'family', he saw now the joys of its unyielding togetherness, and was sorry not to have known more of it in his life.

A writer is someone who spends years patiently trying to discover the second being inside him, and the world that makes him who he is: when I speak of writing, what comes first to my mind is not a novel, a poem, or literary tradition, it is a person who shuts himself up in a room, sits down at a table, and alone, turns inward; amid its shadows, he builds a new world with words.

I think a lot about the poems I wasn't able to write...I masturbrated...Solitude is essentially a matter of pride; you bury yourself in your own scent. The issue is the same for all real poets. If you've been happy for too long, you become banal. By the same token, if you've been unhappy for a long time, you lose your poetic power...Happiness and poverty can only coexist for the briefest time. Afterword either happiness coarsens the poet or the poem is so true it destroys his happiness.