I discovered at the age of six that everything was a phony, worked with mirrors. Since then, I've always wanted to be a magician.
If you want a happy ending, that depends, of course, on where you stop your story.
At twenty-one, so many things appear solid, permanent, untenable.
I'm not basically a happy person, but I have all kinds of joy.
The best thing commercially, which is the worst artistically, by and large, is the most successful.
Hollywood expects you to experiment but on a film that makes money and if you don't make money, you're to blame. Your job is to make money.