With Shakespeare, there's no subtext; you're speaking exactly what you're thinking constantly.

A movie set is like a petri dish for neuroses, you know? It's just, like, egos and weird personalities and, more than anything, fear.

I would always find a way to blow the deal and I'm not sure why. I think there was part of me that wasn't comfortable with monetizing the music and getting involved with royalties and all that kind of stuff.

What's most interesting about trying to figure out AI is the questions that it forces you to ask about the nature of consciousness.

Coen brothers movies are not always what life looks like but it's definitely what life feels like.

The superhero aesthetic is all about the human form and showing the body, whether they be female or male.

With Shakespeare, there's no subtext; you're speaking exactly what you're thinking constantly.