My short stories are so character-based and they're also so private. They're like a private world in each story and I'm getting more and more interested in allowing myself to investigate the big picture about this country, and about human beings, and about the planet, and about the solar system, and about the nature of the material world in general. And I felt like I needed to move into a bigger form.

People have been asking me, "What advice do you have for young writers?" I tell them: a) get off social media; b) don't ask your friends what they think about your work or your ideas. You need to focus and be insane within yourself to build your sandcastle. The mind is so malleable and you need to have a steel trap around it, at least while you're working on something.

Sometimes I think I'm a nihilist because it doesn't matter, none of this matters. We're all following the will of some unknowable higher power, probably the stars manipulating our cellular magnets. We think we have all this agency, but do we? Do we really? Can you choose to be brave when you were born a coward? Can we be deprogrammed from the brainwashing that we grew up in? I think we can, but I think we need a lot of help.

My short stories are so character-based and they're also so private. They're like a private world in each story and I'm getting more and more interested in allowing myself to investigate the big picture about this country, and about human beings, and about the planet, and about the solar system, and about the nature of the material world in general. And I felt like I needed to move into a bigger form.

I was feeling like I'd been born in the wrong place at the wrong time with the wrong people. I don't believe that anymore, not coincidentally two years after writing Eileen. I think that was the driving curiosity for me, thinking about real and fictional characters who could respond to that problem.

Anybody that I like that you talk to about me will probably agree that when I'm hanging out with someone one-on-one, I have a tendency to build this attitude toward the world outside of us, it's us and them. I'm with you here, and you're with me, and we are in the club and everybody else out there is in that shitty club. The positive is I make people feel really special, and I also make some people really uncomfortable and judged, and I'm working on that.

You know that's why people don't like unlikeable characters. It's not that they're not interesting. Everybody knows the most interesting character in a book or a movie or whatever narrative is the villain.