What you want, my lad, and what you're going to get are two very different things.

Psmith is the only thing in my literary career which was handed to me on a plate with watercress round it, thus enabling me to avoid the blood, sweat and tears inseparable from an author's life.

Why don't you get a haircut? You look like a chrysanthemum.

Golf is the Great Mystery.

...what I feel we ought to do at this juncture is to dash off somewhere where it's quiet and there aren't so many housesdancing the 'Blue Danube' and shove some tea into ourselves. And over the pot and muffins I shall have something veryimportant to say to you.

I think the success of every novel - if it's a novel of action - depends on the high spots. The thing to do is to say to yourself, 'Which are my big scenes?' and then get every drop of juice out of them. The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through?

The ideas of debtor and creditor as to what constitutes a good time never coincide.