For Coca-Cola, they wanted a hippie-looking girl to walk around the city with a bucket of chicken sitting in Central Park, sitting on Central Park South, walking along all these different areas of New York that people are familiar with, and just eating this bucket of chicken. I got that commercial too. I think it was just part of my personality that was different from just a regular, nice-looking girl that was more of a model-y type. I injected a little more energy into everything I did.

I wasn't especially a Broadway type. I liked film acting better. I didn't want to stay up late. I wasn't a smoker, a drinker, or a drug-taker. So that kind of Broadway life - not that that's what they do. But they do stay up late and hang out at Joe Allen's until 2 in the morning, and that just wasn't for me.

Brian De Palma was one of the rare directors who wanted us all to go to dailies. It was like a party. After shooting The Boy In The Plastic Bubble, we'd all walk over together, at like 5 or 6 o'clock, to the little theater. And we'd sit down and watch the dailies from like, the day before. And John Travolta, whenever I came onscreen, he was just laughing hysterically. He just thought I was a riot.

The Ramones were a great bunch of guys. They were very quiet, very shy. They were a little in awe of the filmmaking process, probably because we started at 7 a.m. I do remember the very first day of shooting, I met them and did the scene in the bedroom where Joey sings to me, and they were all scattered around my bedroom in my little fantasy scene. That was the first scene we shot of the movie. That scene is kind of a strange way to start a movie. "Okay, get undressed, and these weird guys in leather jackets and ripped jeans are going to sing to you."

My strategy to show caricature idea of American youth culture, which I think worked after talking about it for so many years, is that I had only a few things. I wanted to buy my own wardrobe for Rock 'N' Roll High School, which of course they said "Yes" to, because their clothing budget was $200, and I ended up spending my whole salary - which I think was about $2,100 - on my clothes. And also, any time I was onscreen, I wanted to have as much energy as I possibly could. I think it just really worked for the character.

At 7 in the morning, Rob Zombie calls. I just let the machine answer it, because I'm like, "Who's calling me at 7 in the morning?" It's Rob leaving this message, going, "That was the best birthday present I ever got in my whole life. I looked at Halloween script from cover to cover. No one else will ever get their fingers on this. It's wrapped in plastic. It's going in my vault. I love it. Thank you."

Japan has really great fans for all kinds of music. I think they're keeping metal alive. They're really great supporters, and they really love music. I think it's a total outlet for them.