I think the Buddha presents an image of someone who believes in self-control. I think he's offering, perhaps, a critique of the romantic idea of the passions being this wonderful source of life or vitality that define you or your writing.

I've never really felt that being part of a literary community is all that important. It can be extremely detrimental to a writer. It can damage successful writers by giving them an exalted sense of what they've done, and it can crush less successful writers by infecting them with envy and malice at an early stage in their careers.

I think the Buddha presents an image of someone who believes in self-control. I think he's offering, perhaps, a critique of the romantic idea of the passions being this wonderful source of life or vitality that define you or your writing.

Freedom of speech doesn't guarantee great literature.

I think the reporter or journalist is well served by having a responsibility to the powerless, to use a much-abused cliché. The voice of the powerless is in some danger of not being heard in the elite discourses we now have in the mainstream media.

I don't think of myself as particularly earnest. I have long bouts of cynicism and skepticism. So much of my early life was full of uncertainties. It still is. My "Buddha book" expresses that. Perhaps that's what created this impression of earnestness.

We need to infuse politics with ideas like compassion and empathy, and a sense that we live in an interdependent world.