I think a more complex idea of fiction - and the human self's relationship with the world - emerges when we abandon this philistine equation between literature and liberalism and human goodness, and pay some attention to the darker, ambiguous, and often muddled energies and motivations that shape a work of art. If we do this, we can appreciate a writer like Cรฉline or Gottfried Benn without worrying whether they conform to existing notions of political incorrectness.
Pankaj MishraNo one is obliged to take a position on the urgent issues of the day, but there are times when our impoverished public sphere could do with some occasional assertions of literary and moral authority.
Pankaj MishraWe need a more complex understanding of writers working under authoritarian or repressive regimes. Something to replace this simpleminded, Cold War-ish equation in which the dissident in exile is seen as a bold figure, and those who choose to work with restrictions on their freedom are considered patsies for repressive governments. Let's not forget that most writers in history have lived under nondemocratic regimes: Shakespeare, Tolstoy, and Goethe didn't actually enjoy constitutionally guaranteed rights to freedom of speech.
Pankaj MishraToday, practically every country outside the West is undergoing an intellectual, political, and cultural churning, from China to Bolivia, Egypt to Indonesia, but we haven't really had, after the 1960s, a major oppositional culture in Western Europe and America. The Occupy movement was so startling and welcome partly because it was the first such eruption of mass protests in decades.
Pankaj MishraBuddhism doesn't really have much time for political mass-movements. We are so trained to think of politics in terms of acting collectively, acting as part of mass-movements, that it's become hard for us to imagine a form of politics that is based on a high degree of introspection and self-examination.
Pankaj Mishra