Once you get past the grand normative claims made in the West for literature, especially the novel, in the post-Christian era - that it is a secular substitute for religion, hallmark of modern civilization, a priori liberal and cosmopolitan, with authors appearing to implicitly embody such pious ideals - you encounter a less agreeable reality: parochialism, blinkered views, even racial prejudices of the kind the bourgeoisie have held everywhere.

I guess I am nostalgic for a time - the nineteenth century and early twentieth - when writers were, to use Stefan Collini's phrase, "public moralists" and politicians, plutocrats, bankers, arms dealers, and experts and technocrats were not solely defining the moral norms as well as the political lives of our societies. We do have some writers claiming to be public moralists, but, as I said, they have actually been more jingoistic than even the henchmen of Bush and Blair.

Once you empower people and say,' Here you are, now you get to dream the great dream of becoming a full citizen with equal rights and radical improvement in your living situation,' you are creating an illusion which will break one day.

Christianity and Islam are concerned with the idea of justice, which can turn into political justice, social justice, economical justice, and so on. Buddhism is not so concerned with the idea of rights. There is more talk of responsibility than of demanding rights.

We need to infuse politics with ideas like compassion and empathy, and a sense that we live in an interdependent world.

The recent past is full of diverse examples of writers - Mahfouz in Egypt, Pamuk in Turkey, and more interestingly, Pasternak in the Soviet Union - who have conducted their arguments with their societies and its political arrangements through their art in subtle, oblique ways. They didn't always have the license to make bold pronouncements about freedom, democracy, Islam, and liberalism, but they exerted another kind of moral authority through their work.

I feel that I already have the life I love and I don't see how it could be improved radically by any greater material success I might have - bigger advances, more prizes. It's a kind of madness. And the culture of prize-giving is so corrupt.