Once you get past the grand normative claims made in the West for literature, especially the novel, in the post-Christian era - that it is a secular substitute for religion, hallmark of modern civilization, a priori liberal and cosmopolitan, with authors appearing to implicitly embody such pious ideals - you encounter a less agreeable reality: parochialism, blinkered views, even racial prejudices of the kind the bourgeoisie have held everywhere.
Pankaj MishraThe recent past is full of diverse examples of writers - Mahfouz in Egypt, Pamuk in Turkey, and more interestingly, Pasternak in the Soviet Union - who have conducted their arguments with their societies and its political arrangements through their art in subtle, oblique ways. They didn't always have the license to make bold pronouncements about freedom, democracy, Islam, and liberalism, but they exerted another kind of moral authority through their work.
Pankaj MishraYou need to work yourself up into some kind of a state every morning and believe that you are doing something terribly important upon which the future of literature, if not the world, depends. Buddhism tells you that this is just a foolish fantasy. So, I try not to think too much about Buddhism early in the morning. From noon on, I think about it.
Pankaj MishraWhat happens when we examine the claims made for Western liberalism as a universalizing ideology of tolerance, human dignity, equality, and compassion is the fact that the patron saint of modern liberalism, John Stuart Mill, thought that barbarian peoples like the Indians were unfit for self-rule.
Pankaj MishraThe act of writing should not be accompanied by the sense of an audience, someone peering over your shoulder, but in nonfiction I think itโs almost imperative that you identify an audience so you can confirm or challenge or undermine whatever ideas or prejudices they might have about your subject.
Pankaj Mishra