Once you get past the grand normative claims made in the West for literature, especially the novel, in the post-Christian era - that it is a secular substitute for religion, hallmark of modern civilization, a priori liberal and cosmopolitan, with authors appearing to implicitly embody such pious ideals - you encounter a less agreeable reality: parochialism, blinkered views, even racial prejudices of the kind the bourgeoisie have held everywhere.

I feel very privileged to get to read and write and not to have to do things that I don't like, and I don't want to give that up. Everything else is just a bonus and often a distraction from the writing, reading, and traveling that gives me the most pleasure.

We have so few unaffiliated public intellectuals now - people who are not beholden to a think tank, corporate-owned media, or academic department - and even many literary writers look and behave like young urban professionals and canny careerists.

I think what's important and extraordinarily practical about Buddhism, is that it offers very concrete methods for people to work with.

Most of what I read is for reviewing purposes or related to something I want to write about. It's slightly utilitarian. I definitely miss that sense of being a disinterested reader who's reading purely for the pleasure of imagining his way into emotional situations and vividly realized scenes in nineteenth-century France or late nineteenth-century Russia.

Western conception of history has had great consequences over the last two hundred years. You see it in the invasion of Iraq. You see it in almost everything that is said and done.

No one is obliged to take a position on the urgent issues of the day, but there are times when our impoverished public sphere could do with some occasional assertions of literary and moral authority.