These are the quicksilver moments of my childhood I cannot remember entirely. Irresistible and emblematic, I can recall them only in fragments and shivers of the heart.

Laughter is the only strategy that has ever worked at all for me when my world is falling apart.

I meet kids now who become novelists, poets, write for the theater and movies, who were simply inspired by what they saw during the Spoleto Festival.

Here's what I want from a book, what I demand, what I pray for when I take up a novel and begin to read the first sentence: I want everything and nothing less, the full measure of a writer's heart. I want a novel so poetic that I do not have to turn to the standby anthologies of poetry to satisfy that itch for music, for perfection and economy of phrasing, for exactness of tone. Then, too, I want a book so filled with story and character that I read page after page without thinking of food or drink because a writer has possessed me, crazed with an unappeasable thirst to know what happens next.

The safe places could only be visited; they could only grant a momentary intuition of sanctuary. The moment always came when we had to return to our real life to face the wounds and grief indigenous to our homr by the river.

He was one of those rare men who are capable of being fully in love only once in their lives.

In family matters you can get over anything. That's one thing you'll learn as an adult. There's a lot you have to learn which is a lot worse than that. You'd never think of forgiving a friend for some of the things your parents did to you. But with friends it's different. Friends aren't the roll of the dice.