I am particularly interested in the way that the everyday realities of the world around us change these relations.

We always use resin instead of polyurethane, even though it takes more work and is in places where it can't be seen, because resin tends to be more UV stable than urethane.

I finished VCA at the height of the last big recession in the early 90s, and seeing that I was not going to be able to join one of the dwindling number of commercial galleries, I started an ARI called the Basement Project which ran for three years. Things came a little at a time and all of a sudden it's 20 years later and I'm still making art, which is really all I ever wanted to do.

The studio does a lot of testing before we settle on a system. Unfortunately, this means that price tends to come pretty far down the list.

We always use plywood rather than MDF for structural stuff for the same reasons [stability].

I have a database of all my works that I maintain to keep track of works and editions.

I think people perceive my creatures as absurd because they look different, but at the same time, they are a little bit familiar. I want people to feel a kind of empathy with them. When you think about it, all nature is kind of strange looking.. in fact, I'm a strange a looking creature.