I started thinking of digital imaging, not photography, in 1994 as it seemed the most appropriate way to deal with ideas of biotechnology and advertising. My practice is conceptual.

I work with whatever mediums seems best suited to evoking the sorts of thoughts and emotions I am interested in playing with.

In the studio we use a pretty wide range of materials for the sculptures; silicone, fibreglass, human and animal hair, ABS plastic, dental acrylic, traditional and high-tech plasters, stainless steel, automotive paint, plywood, Britannia metal, found objects and taxidermy animals.

I would say my work is anti-ironic.

Ideas rather than methods are central to they way I work, although drawing plays a central generative role in everything I do.

My practice is focused on bodies and relationships; the relationships between people and other creatures, between people and our bodies, between creatures and the environment, between the artificial and the natural.

Most of the work I make uses materials that are a bit outside of the traditional fine art world.