In the studio we use a pretty wide range of materials for the sculptures; silicone, fibreglass, human and animal hair, ABS plastic, dental acrylic, traditional and high-tech plasters, stainless steel, automotive paint, plywood, Britannia metal, found objects and taxidermy animals.

It's interesting to work with what's important today, which is meaningful for our everyday lives.

I work with whatever mediums seems best suited to evoking the sorts of thoughts and emotions I am interested in playing with.

Quality and longevity are the primary criteria, along with repairability and ease of production.

The way we look at nineteenth-century English social realism and appreciate the working classes of the emerging industrial revolution.

I am particularly interested in the way that the everyday realities of the world around us change these relations.

I think people perceive my creatures as absurd because they look different, but at the same time, they are a little bit familiar. I want people to feel a kind of empathy with them. When you think about it, all nature is kind of strange looking.. in fact, I'm a strange a looking creature.