We always use plywood rather than MDF for structural stuff for the same reasons [stability].

I would say my work is anti-ironic.

The studio keeps notes on the details of editions and production processes and the like.

As we get older, our world gets smaller and we start to doubt and question. We are really suspicious of difference.

Thinking is a social process. I talk to everyone from children to anthropologists and philosophers. I try my ideas out on people and they talk back to you. That's how ideas get formed.

Obviously, I don't make an entire edition all at once, so the studio often goes back to produce editions, but that's a bit different. I guess I'm always thinking about the next work.

I don't think 'Dark Heart' has to be malevolent. It conveys a sense of depth. There is a sense of questioning turmoil.