I don't connect accessibility with lowest common denominator.

Of course, all my work is photographed and I also take quite a lot of photographs of work in production.

The studio does a lot of testing before we settle on a system. Unfortunately, this means that price tends to come pretty far down the list.

I would say my work is anti-ironic.

I work with whatever mediums seems best suited to evoking the sorts of thoughts and emotions I am interested in playing with.

The way we look at nineteenth-century English social realism and appreciate the working classes of the emerging industrial revolution.

In the studio we spend a lot of time working our what materials will work best and also last. We do tests and come back to them years later to see how they are still performing, and this leads our decisions.