I don't connect accessibility with lowest common denominator.

In one hundred years time people will look back and think 'these people were really worried about the environment, they were looking at things to do with global warming, and this is why they were making work about these issues'.

Most of the work I make uses materials that are a bit outside of the traditional fine art world.

I am particularly interested in the way that the everyday realities of the world around us change these relations.

Thinking is a social process. I talk to everyone from children to anthropologists and philosophers. I try my ideas out on people and they talk back to you. That's how ideas get formed.

In the studio we spend a lot of time working our what materials will work best and also last. We do tests and come back to them years later to see how they are still performing, and this leads our decisions.

If there are moments in my work when people find joy and humour, that's a real success for me.