I work with whatever mediums seems best suited to evoking the sorts of thoughts and emotions I am interested in playing with.

Of course, all my work is photographed and I also take quite a lot of photographs of work in production.

I usually have several things on the go. Whether it is my own drawings for the next work that I am working on while a sculpture is being fabricated or several works at different points in production.

The studio keeps notes on the details of editions and production processes and the like.

I don't connect accessibility with lowest common denominator.

I started thinking of digital imaging, not photography, in 1994 as it seemed the most appropriate way to deal with ideas of biotechnology and advertising. My practice is conceptual.

For one work we developed a human hair felt, which involved collecting and sorting hundreds of kilos of human hair, and then blending it will a tiny percentage of black merino followed by carding and felting.