I work with whatever mediums seems best suited to evoking the sorts of thoughts and emotions I am interested in playing with.

Now that other people have my works, it's really important to me that what they have has longevity.

For me it is a matter of respect for the ideas in the work and the people who look at them. I absolutely hate it when works come back to the studio for repair, and I try to make sure that they never do.

In the studio we use a pretty wide range of materials for the sculptures; silicone, fibreglass, human and animal hair, ABS plastic, dental acrylic, traditional and high-tech plasters, stainless steel, automotive paint, plywood, Britannia metal, found objects and taxidermy animals.

Obviously, I don't make an entire edition all at once, so the studio often goes back to produce editions, but that's a bit different. I guess I'm always thinking about the next work.

The studio keeps notes on the details of editions and production processes and the like.

If there are moments in my work when people find joy and humour, that's a real success for me.