I work with whatever mediums seems best suited to evoking the sorts of thoughts and emotions I am interested in playing with.

If there are moments in my work when people find joy and humour, that's a real success for me.

Melbourne is a fantastic place to work, but it's not the centre of the world.

The way we look at nineteenth-century English social realism and appreciate the working classes of the emerging industrial revolution.

Most of the work I make uses materials that are a bit outside of the traditional fine art world.

I don't want the ideas to be limited by what I can physically do. The ideas come first.

It's much easier to do something that's seen as being serious because people accept it right away, they don't question what you do, they just accept, because they think you must be right.