I put a lot of time and thought into my work, which I see as a sort of respect for both the work and the audience, and I have always been very concerned that the materiality of the work reflects that.

Artists make worlds for people to walk through.

Ideas rather than methods are central to they way I work, although drawing plays a central generative role in everything I do.

As we get older, our world gets smaller and we start to doubt and question. We are really suspicious of difference.

My practice is focused on bodies and relationships; the relationships between people and other creatures, between people and our bodies, between creatures and the environment, between the artificial and the natural.

I usually have several things on the go. Whether it is my own drawings for the next work that I am working on while a sculpture is being fabricated or several works at different points in production.

I would say my work is anti-ironic.