I have had sculptures cast in bronze, silver and aluminium. My drawings are all graphite or pigment ink and gouache on paper.

I put a lot of time and thought into my work, which I see as a sort of respect for both the work and the audience, and I have always been very concerned that the materiality of the work reflects that.

As we get older, our world gets smaller and we start to doubt and question. We are really suspicious of difference.

Melbourne is a fantastic place to work, but it's not the centre of the world.

Most of the work I make uses materials that are a bit outside of the traditional fine art world.

The studio keeps notes on the details of editions and production processes and the like.

For one work we developed a human hair felt, which involved collecting and sorting hundreds of kilos of human hair, and then blending it will a tiny percentage of black merino followed by carding and felting.