Perhaps because of this, many have looked at my practice in terms of science and technology, however, for me it is just as informed by Surrealism and mythology.

I work with whatever mediums seems best suited to evoking the sorts of thoughts and emotions I am interested in playing with.

Of course, all my work is photographed and I also take quite a lot of photographs of work in production.

I am particularly interested in the way that the everyday realities of the world around us change these relations.

In the studio we use a pretty wide range of materials for the sculptures; silicone, fibreglass, human and animal hair, ABS plastic, dental acrylic, traditional and high-tech plasters, stainless steel, automotive paint, plywood, Britannia metal, found objects and taxidermy animals.

In the studio we spend a lot of time working our what materials will work best and also last. We do tests and come back to them years later to see how they are still performing, and this leads our decisions.

The studio does a lot of testing before we settle on a system. Unfortunately, this means that price tends to come pretty far down the list.