We always use resin instead of polyurethane, even though it takes more work and is in places where it can't be seen, because resin tends to be more UV stable than urethane.

I feel that there's hardly any irony in my work; if there's anything, there'll be sincerity, which people sometimes find hard to deal with.

Perhaps because of this, many have looked at my practice in terms of science and technology, however, for me it is just as informed by Surrealism and mythology.

I pretty much keep everything; we have drawers full of samples and tests and every old catalogue and magazine.

Most of the work I make uses materials that are a bit outside of the traditional fine art world.

Quality and longevity are the primary criteria, along with repairability and ease of production.

I certainly don't see the humour in my work as something that detracts from its seriousness. It's just a way of making difficult messages more palatable.