Obviously, I don't make an entire edition all at once, so the studio often goes back to produce editions, but that's a bit different. I guess I'm always thinking about the next work.

It's interesting to work with what's important today, which is meaningful for our everyday lives.

For me it is a matter of respect for the ideas in the work and the people who look at them. I absolutely hate it when works come back to the studio for repair, and I try to make sure that they never do.

Thinking is a social process. I talk to everyone from children to anthropologists and philosophers. I try my ideas out on people and they talk back to you. That's how ideas get formed.

We always use plywood rather than MDF for structural stuff for the same reasons [stability].

I am particularly interested in the way that the everyday realities of the world around us change these relations.

I would say my work is anti-ironic.