Of course, all my work is photographed and I also take quite a lot of photographs of work in production.

Quality and longevity are the primary criteria, along with repairability and ease of production.

The way we look at nineteenth-century English social realism and appreciate the working classes of the emerging industrial revolution.

I usually have several things on the go. Whether it is my own drawings for the next work that I am working on while a sculpture is being fabricated or several works at different points in production.

Ideas rather than methods are central to they way I work, although drawing plays a central generative role in everything I do.

If there are moments in my work when people find joy and humour, that's a real success for me.

I would say my work is anti-ironic.