I pretty much keep everything; we have drawers full of samples and tests and every old catalogue and magazine.

I would say my work is anti-ironic.

I usually have several things on the go. Whether it is my own drawings for the next work that I am working on while a sculpture is being fabricated or several works at different points in production.

I have been interested in visual arts since high school and, after realising that I had absolutely no interest in the economics degree I had undertaken at ANU, I started a BFA in Sydney which I completed at VCA in Melbourne.

If there are moments in my work when people find joy and humour, that's a real success for me.

Of course, all my work is photographed and I also take quite a lot of photographs of work in production.

Now that other people have my works, it's really important to me that what they have has longevity.