I pretty much keep everything; we have drawers full of samples and tests and every old catalogue and magazine.

It's interesting to work with what's important today, which is meaningful for our everyday lives.

I don't connect accessibility with lowest common denominator.

The idea that we can have a new life form, what does it say about the zoo's main purpose, which is to preserve life? What does it say when the artificial and real animal can have the same attraction to people?

Obviously, I don't make an entire edition all at once, so the studio often goes back to produce editions, but that's a bit different. I guess I'm always thinking about the next work.

For one work we developed a human hair felt, which involved collecting and sorting hundreds of kilos of human hair, and then blending it will a tiny percentage of black merino followed by carding and felting.

Of course, all my work is photographed and I also take quite a lot of photographs of work in production.