This is a boyhood dream, but I've always wanted to play the sheriff. I've wanted to be in a Western, in the hat, playing the sheriff.

The notion that "this too shall pass" is comforting, both in knowing that whatever pain I'm in will change into something else and allowing myself to experience the pain, not trying to blunt it or brush it aside. It's important to feel and to be connected to your emotions, whichever way they play out.

As much as I'd like to pretend that I'm not performing, I think any actor sometimes has themselves outside of themselves and is trying to direct themselves and control what you're seeing and thinking.

You make a horror film that's not very good. You'd be joining a long line, in a long video aisle, of stuff that doesn't work.

I think any actor will tell you that they always assume they'll never work again, so every job becomes important.

I am not the center of the universe. And it's a lesson that I keep having to learn; it's my ongoing work, I'd say. And being in a career that is predicated on a degree of self-absorption, that is a tricky thing to negotiate sometimes.

I think 20 years of experience really came to fruition and enabled me to be able to play Cotton Marcus.