What were you thinking?" Bast said with an odd mixture of confusion and concern. Coat was a long while in answering. "I tend to think too much Bast. My greatest successes tended to come when I stopped thinking and simply did what felt right, even if there was no explantion for what I did.

In brief, worldbuilding is different than setting in my opinion. Setting is a room. A backdrop. It's scenery. But without good worldbuilding, you can't have realistic feeling scenery. You can't have cool, unique backdrops for your story.

You still think I've gone cracked in the head," Ben said, amused. "Listen, if tomorrow we pulled into Biren and someone told you there were shamble-men in the woods, would you believe them?" My father shook his head. "What if two people told you?" Another shake. Ben leaned forward on his stump. "What if a dozen people told you, with perfect earnestness, that shamble-men were out in the fields, eating-" "Of course I wouldn't believe them," my father said, irritated. "It's ridiculous." "Of course it is," Ben agreed, raising a finger. "But the real question is this: Would you go into the woods?

I'll string a fiddle with your guts and make you play it while I dance.

I think the tendency to over-explain and over describe is one of the most common failings in fantasy. It's an unfortunate piece of Tolkien's legacy. Don't get me wrong, Tolkien was a great worldbuilder, but he got a little caught up describing his world at times, at the expense of the overall story.

If you are going to impose your will on the world, you must have control over what you believe.

If you can find someone like that, someone who you can hold and close your eyes to the world with, then you're lucky.