On set, the playground for the character, how much it takes varies. Is it like ballet, is it like jazz? The content always lends itself to the form, and it's really not mathematics.

I feel like a lot of the films I do, part of the reason I like doing them is I'm not 100 percent sure what it's going to be. It's exciting. I read an equal amount of very generic scripts, and you kind of know exactly what those are and that doesn't whet my appetite. I already know what it is or I already know what the character is. It's just a lot harder to get interested.

I was actually thinking about starting like an app where you can watch videos of me carrying Daniel [Radcliffe in Swiss Army Man].

Sometimes it's summer camp on location. So it's nice to have a little New York community of people you love.

I always have an adjustment period where I'm so happy to be home, but then my sense of purpose is totally gone.

Everything you do, every experience that you have, enlightens you a little bit or worsens you.

I remember going to the theatre when I was little and the lights going down and just getting really scared about what was going to happen up there.